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J.S. Bach

J.S. Bach: Matthäus-Passion, BWV 244: VI. Recitative: Da ging hin der Zwölfen einer

Samuel Ricke

0:38	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		11	12	3	2	88%
		9	0	2	1	89%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		11	12	3	2	88%
		9	0	2	1	89%
Continuo.		9	0	2	1	89%
Evangelist.		11	0	2	3	89%
Violone.		9	0	2	1	89%
Judas.		8	0	1	2	33%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: IV. Menuet - Trio - Polonaise

Samuel Ricke

10:40	Est. Play Time
125	Measures
	1,414Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.		19	18	5	6	80%
		19	0	3	5	49%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.		19	18	5	6	80%
		19	0	3	5	49%
Oboe I.		19	0	4	9	72%
Viola.		18	0	4	7	49%
Violino I.		21	0	3	9	49%
Violino II.		19	0	4	8	49%
Violoncello.		19	0	3	5	49%
Violone.		19	0	3	5	49%
Corno I.		10	0	1	8	48%
Corno II.		8	0	0	8	46%
Fagotto.		21	0	5	5	45%
Oboe II.		12	0	2	7	45%
Oboe III.		9	0	1	7	21%
Violino piccolo.		13	0	2	9	21%

1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.

SDG

0:31	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	3	5	100%
		13	0	2	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	3	5	100%
		13	0	2	4	100%
Soprano/Alto		13	0	3	5	100%
Tenor/Bass		13	0	2	4	100%
Contrabass		10	0	2	3	50%

Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.

SDG

2:28	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		16	0	3	2	100%
		16	0	3	2	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		16	0	3	2	100%
		16	0	3	2	100%
Alto Recorder I		12	0	2	5	100%
Alto Recorder II		13	0	3	5	100%
Bass Recorder		13	0	2	4	100%
Bassoon		16	0	3	2	100%
Tenor Recorder		11	0	1	4	100%
Violoncello		16	0	3	2	100%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: II. Adagio

Samuel Ricke

5:27	Est. Play Time
39	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		24	34	8	6	100%
		22	2	10	6	100%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		24	34	8	6	100%
		22	2	10	6	100%
Fagotto.		23	0	10	6	100%
Oboe I.		18	0	7	10	100%
Oboe II.		17	0	5	5	100%
Oboe III.		13	0	4	5	100%
Viola.		17	0	7	7	100%
Violino I.		19	0	5	7	100%
Violino II.		16	0	6	5	100%
Violino piccolo.		23	0	9	9	100%
Violoncello.		22	0	10	6	100%
Violone.		22	2	10	6	100%

Air on the G String

Baconator NoVeg

4:48	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1		14	0	5	9	100%
Mellophone 2		18	0	4	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1		14	0	5	9	100%
Mellophone 2		18	0	4	6	100%
Mellophone 3		11	0	2	6	100%
Trombone		25	0	8	3	100%

Minuet in G Minor, from Anna Magdalena Notebook

edlemjulve

1:48	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violín		15	0	3	5	100%
		15	0	3	4	100%
Violonchelo		14	0	3	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violín		15	0	3	5	100%
		15	0	3	4	100%
Violonchelo		14	0	3	4	100%

15. Allein zu dir, Herr Jesu Christ, J.S. Bach, BWV 261, Choral Gesänge, Breitkopf.

Gertim

1:25	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		20	0	7	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		20	0	7	5	100%

48. Liebster Herr Jesu, wo bleibst du so lange. Schemelli, J.S. Bach, BWV 484.

SDG

1:19	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	3	4	100%
T A		21	0	6	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	3	4	100%
T A		21	0	6	4	100%

12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		1	0	0	1	6%
		14	0	3	5	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		1	0	0	1	6%
		14	0	3	5	100%
		1	0	0	1	6%
		14	0	3	5	100%
		1	0	0	1	6%
		16	0	3	4	100%
		16	0	3	4	100%
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		16	0	3	4	100%
Contrabass		14	0	2	2	50%

J.S. Bach: Matthäus-Passion, BWV 244: IV. Recitative & Chorus: Da versammleten sich die Hohenpriester

Samuel Ricke

3:46	Est. Play Time
49	Measures
	1,650Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
View all 32 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
		14	0	0	3	12%
		26	0	11	7	94%
Violone.		14	0	0	3	12%
		26	0	11	7	94%
Continuo.		26	0	11	7	94%
Tenore.		19	0	7	6	71%
		10	0	1	3	12%
Viola.		20	0	6	7	63%
		7	0	0	3	12%
Violino I.		20	0	6	6	63%
		13	0	0	3	12%
Violino II.		10	0	2	3	12%
		18	0	5	6	63%
Basso.		12	0	0	3	12%
		19	0	6	5	61%
Alto.		12	0	4	4	35%
		7	0	0	3	12%
Fagotto.		14	0	0	4	12%
		24	0	8	5	35%
Oboe I.		8	0	1	3	12%
		14	0	4	5	35%
Oboe II.		16	0	4	4	35%
		12	0	2	3	12%
Soprano.		7	0	1	3	12%
		14	0	4	5	35%
Flauto traverso I.		19	0	7	4	33%
		14	0	0	3	12%
Flauto traverso II.		19	0	7	4	33%
		14	0	0	3	12%
Organo e Continuo.		14	0	0	3	12%

Mache dich, mein Herze, rein. BWV 244, no. 65. Matthäus-Passion, St. Matthew passion. Bass aria. J.S. Bach.

SDG

6:30	Est. Play Time
81	Measures
	4,759Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo (Cello, Contrabass)		21	0	6	3	100%
Contrabass		21	0	6	3	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo (Cello, Contrabass)		21	0	6	3	100%
Contrabass		21	0	6	3	100%
Oboe		22	0	7	6	98%
		17	0	4	6	95%
Strings I		22	0	7	6	98%
Violin I, Oboe I		22	0	7	6	98%
Viola		20	0	6	4	95%
Violin II, Oboe II		17	0	4	6	95%
Bass		17	0	5	9	68%

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